The Task of Blogging and the Task of AI

“Computers’re bringing about a situation that’s like the invention of harmony. Sub-routines are like chords. No one would think of keeping a chord to himself. You’d give it to anyone who wanted it.”

– John Cage, in the 1969 essay “Art and Technology”

“We see a future where intelligence is a utility, like electricity or water, and people buy it from us on a meter.”

– Sam Altman, in a comment during BlackRock’s 2026 U.S. Infrastructure Summit

Ian here—

This post began as a short housekeeping announcement but evolved into something more grandiose. (Though still attached to a housekeeping announcement.)

In the Spring of 2025 I taught a course titled “Closure and Infinity in Digital Media,” about the creation of theoretically infinite art. It opened in the 1960s with the process-based art of John Cage and the Fluxus movement, and worked its way to the contemporary dream of entertainment CEOs everywhere, selling AI slop to undiscerning viewers. The course was admittedly too broad in its focus (as evinced by its mouthful of a title). It took me to nearly the end of the quarter to actually grasp what its core concern had been all along: It was a course about the internet that every person in the room had grown up with, which was now dying.

You can draw a direct line from the sentiment expressed by Cage in the above quote—that computers will bring about an epoch of sharing comparable to the invention of harmony—to the utopian dreams of Wikipedia, open-access academic publishing, Reddit, TVTropes, even the humble user-submitted ASCII game walkthroughs still lurking in the bowels of IGN and Gamespot. That is to say, to the internet, as people idealistically conceptualized it in the 2000s, and which is still around today, though perhaps hanging by more of a thread than we’d like to admit.

Granted, there were skeptics of this vision of the internet. Way back in 2000, Tiziana Terranova dutifully tut-tutted the fiery optimism of the “Web 2.0” era, pointing out that capitalists were always waiting in the wings to monetize the free labor of credulous volunteers. The utopian venture of the world wide web relied on an unstable ideological union of hippy-dippy communitarianism and hardened anarcho-capitalism. It wasn’t built to last, because “free” didn’t mean the same thing to all parties.

But still, during its heyday, it was a grand thing to witness. Wikipedia’s 25 years of operation have stretched over my high school education, undergraduate education, graduate education, and now a decade of me being an educator myself. Throughout all of this, it has been not only an invaluable research tool, but also probably the best available model of socialism in action. (From each according to their research abilities, to each according to their research needs.) It’s no stretch to say that my path toward becoming an educator owes much to the general shape of the internet circa 2000–2015. It seemed like our shared intellectual commons was improving. Information was becoming freer every day. Professors were expanding beyond the classroom and academic publishing to become bloggers, posters, podcasters, and video essayists. Educators were rediscovering public communication, sharing their love of their subject matter more broadly than ever before. I was benefitting from it, and I wanted to contribute to it. It was a tantalizing moment to get caught up in.

And now LLMs are on track to end it decisively.

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Lesson Plan: Net Neutrality

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I have decided to re-post this lesson plan that I originally posted in December of last year. In re-posting it, I am forgoing the doom and gloom I offered in the introduction of the original post. A better attitude is needed. It is our duty as citizens to raise our voices in response to bad policy, so consider this my own humble contribution to the Internet-wide Day of Action to Save Net Neutrality.

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Adobe Plug-ins in 2017: A Tale of Five Browsers (on two operating systems)

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Ian here—

Some of this material used to be over in the “Practical Pedagogical Notes on Games” section of the site. I’ve decided to migrate it to a blog post, however, for logistical reasons.

It’s an HTML5 world out there. The plug-ins that used to define the landscape of the internet—Flash, in particular—are a dying breed.

If those previous two sentences don’t mean anything to do: Congratulations! You are like most people. This guide is for you. It is a practical, logistical resource to take a peek at when a browser-based game doesn’t work.

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Lesson Plan: Borders, Boundary Crossings, and Subaltern Images

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Ian here—

Well, you can’t win ’em all. Over-ambition gets to the best of us, and sometimes a somewhat incoherent lesson is the result. Consider this post to be less of a how-to guide, and more of a postmortem on what is clearly still a work-in-progress.

Migration is a topic that, from the beginning, I knew I wanted to tackle in my Avant-Garde Film and Video Art course this term. US immigration reared its head quite explicitly in my week spent on Bill Brown’s The Other Side, but I also wanted to try out some more conceptually far-flung approaches to the topic. Key here were two texts: Hito Steyerl’s article “In Defense of the Poor Image,” which re-casts image quality as an image of global politics, turning a close eye on how media objects circulate around the world in the current neoliberal order, and Jacqueline Goss’ video Stranger Comes to Town (2007), which tells tales of entry into the US that have been metaphorized into World of Warcraft machinima.

I thought I could draw out some sort of grand theme from this material, about how the circulation of images maps on to the migration of people in our contemporary political regime. It turns out I wasn’t really up to this task. And it’s a shame, too, because I dearly love the videos I assembled for this week, and wish I could have done better by them.

[Update: I asked for feedback in the last day of class, and it turns out that several students actually really liked this class session. They thought its sketched-out argument left them room to think, and really appreciated having to fill in the blanks themselves. Apparently, for some students, it was perfect seminar material. Their only real complaint was that I could have expanded this material, and stretched it out over several weeks! So take the self-criticism in this post with a grain of salt, I guess.]

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Playbor in the Loop: eSports and Athletic Scholarships in Chicago Education

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Ian here—

What follows is my talk from SCMS 2017 in Chicago, IL. It was part of the panel I organized, “Gaming’s Midway Point: Games and Game Culture in Chicago“—and I’d like to thank Julianne Grasso, Daniel Johnson, and Chris Carloy for contributing papers and making that panel the success that it was.  You can follow along with my visual presentation here.

This is the website of Collegiate Starleague, a league for competitive, professional-level videogaming, or eSports, on college campuses. Collegiate Starleague holds tournaments for college players of games such as League of Legends (Riot Games, 2009) and Dota 2 (Valve, 2013), two enormously popular games in the Multiplayer Online Battle Arena genre, which has dominated eSports in recent years, as well as the first-person shooters Overwatch (Blizzard, 2016) and Couter-Strike: Global Offensive (Valve, 2012), and the digital collectable card game Hearthstone (Blizzard, 2014).

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Lesson Plan: Net Neutrality

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Ian here—

Well, unlike other lessons I could name, this particular lesson plan wasn’t disrupted in real-time by the incoming Trump administration. But it will certainly be different if I ever teach it for an Intro to Mass Communication course again.

Let’s be clear: net neutrality is dead, dead, dead. There were already reasons to be worried given AT&T’s zero-rating shenanigans in the run-up to its attempted merger with Time Warner. Since then, presumptive future head of the FCC Ajit Pai has quite clearly stated the Trump administration’s plans to destroy the current FCC’s valiant attempts to enforce net neutrality. It is an idea whose time has passed.

Why even post this, then? Will anyone teach a lesson on net neutrality in the future? I don’t see why not. Presumably people still lessons on labor unions, despite the fact that those barely exist anymore. And perhaps, in a perverse way, net neutrality’s death will mean that more people actually will understand what it once was. Once it’s gone, the ISPs’ noise machine will presumably move on to other targets, meaning that perhaps there won’t be quite as thick a slurry of blatant misinformation to fight in the future. (Although I disagree with the political right in this country on most issues, I have to say that I’ve never seen such basic confusion on the other side about what the conversation is actually about than I have around the issue of net neutrality. The points made against it are incoherent, because they often simply pretend it is something it is not. Seriously, outright falsehoods and mirror-universe projections in this area have been endemic.) In any case, it’s still worth fighting the good fight, and keeping students informed of what might have been.

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Lesson Plan: Music Formats, Music Listening Practices

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Ian here—

The following is a lesson plan I used for one day on popular music in my “Introduction to Mass Communication” course at DePaul University. I first incorporated it into my syllabus for the winter 2016 quarter, and refined it some for my spring 2016 section of the class.

The overarching theme I try to give the course when I teach it is the relationship between technologies and our use of those technologies. It’s a two-step dance where the two partners frequently get out of synch, and try to adapt to one another in unexpected ways. This week, we examine how specific music format technologies created certain behaviors of listening … which then went on to shape future technologies, and so on and so forth.

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