
Final Project by: Meagan Johnson, Katerina Stefanescu, and Alan Countess
Echoing the mass anxiety felt in Hong Kong during the early nineties, Wong Kar-wai’s 1994 breakout film Chungking Express details the story of two cops searching for a meaningful connection in a somewhat isolated society. The filming of Chungking Express occurred during rather turbulent times in Hong Kong. Hong Kong was being handed over to the People’s Republic of China after being under the sovereignty of the United Kingdom for over 152 years. Its citizens were also in the midst of both a personal and cultural identity crisis. Before Hong Kong’s return to mainland China, pre-handover movies such as Chungking Express served as a political commentary on the fantasies of being integrated into their mainstream Chinese culture. In response to this uncertainty, there began to be an emphasis on time and routine–a way of seeking stability in an unstable and unpredictable world. Chungking Express follows the romantic journey of two policemen pining after a lost love. The film carries motifs of mass global connectivity, intoxicating youth, frustration, and hopeless romance. The film presents a dual narrative, or two stories told in a sequence of each other. In the first story, Cop 223 is blinded by his heartbreak. His ex-girlfriend broke up with him on April Fool’s Day; thus, Cop 223 chalks his breakup to a cruel joke. He lives in denial of what it means to lose someone and remains in a state of fantasy, replaying his memories and his love in his mind. In the second story, Cop 663 holds little hope for his ex’s return. Instead, he falls into a melancholic funk. In both stories, Cop 223 and 663 meet energetic women–a sign of hope and wonder in a disillusioned society. By analyzing Wong Kar-wai’s illustrious storytelling, cinematography, and editing, the film reinforces the idea that living in a city of millions does not always lend itself to forming meaningful human connections. Instead, urban isolation is an exigent circumstance for the characters to reflect on the inevitability of change.