Video lecture for week 8 of CMST 10100, “Introduction to Film Analysis.”
Group project summary, by leader Max Marcussen
Hatoful Boyfriend is, from the start, an absurd game. The premise of the game is that the player character, Hiyoko, is a human hunter-gatherer who’s been invited to the world’s best pigeon high school. Hiyoko interacts with professors, school doctors, fellow students, and a biker gang leader who’s also a parakeet, and tries to find love with a pigeon. But in spite of this absurd premise, Hatoful Boyfriend operates in much the same way most romantic comedies do. Many romantic comedy films involve absurd premises, like Sandra Bullock pretending she’s engaged to her subordinate Ryan Reynolds or business nemeses Tom Hanks and Meg Ryan by chance being best friends online. In most romantic comedies, absurdity doesn’t detract from narrative conflict, but instead ends up being what usually solves it.
Group project summary by group leader Victoria Keating
A common mistake about romance is that it is an easy genre to write. It’s simple you may think. Person meets person. They fall in love. They face adverse circumstances. Someone may even die. Love prevails in some way or another. As someone who is a sucker for a good romance, I would have to disagree. One requirement not mentioned was good characters. For a romance to be successful, the audience needs to have a reason to care about the characters. In some cases, we care because we can easily imagine ourselves as the main character. In other cases, we care about the characters because they have such good backgrounds and stories that we can’t help but be drawn in. Katawa Shoujo is a perfect example of how having good characters can carry a romance far.
by Zach Cogan, Dylan Kanaan, Gabriela Horwath, Shahrez Aziz, and Meagan Johnson
Though Atlantics sets itself up to be a more of a mystery and a romance rather than a typical horror movie, its filmmaking styles, as well as its form, do include a lot of imagery, sounds, and tropes traditionally associated with the horror genre, which are broken down below.
One significant element of the film is the class struggle of the Sengelese people, a story of journeying to a foreign land to find menial labor. Prior to the young construction workers leaving for Italy, the audience is graced with a tender moment between Souleiman and Ada with the raging ocean in the background of the scene. The ocean does in fact play on the beauty and intimacy of the characters’ young love, but also create a sinister effect throughout the film. There is a numbness to the waves. The ocean is all-consuming, treacherous, and unpredictable–similar to the relationship between Ada and Souleiman. As seen below, the way the ocean is presented to us defines a lot of the tone in that section of the movie, with the ocean being at its darkest and most sinister in the middle portion of the movie, where the horror aspect is most prevalent. Yet, even when the film ventures into a commentary of class struggles, defining love, and fantasy, the ocean serves as a constant reminder of the mystery of one’s own existence Although we never see the wreck that claims so many lives, the churning waves seems to carry a mystical force or magical entity. This mood later serves the possession of the women, ultimately defining the film as a literal and metaphorical ghost story.
by Emily Nagler, Mimi Taylor, Brendan Boustany, Junyoung Choi, and Frank Martin
Something I noticed when watching Atlantics was how often faces, especially those of Ada and Soulemain, were obscured somehow. Sometimes this was because of the way the shot was framed, the lighting, or some other element of the mise-en-scène obscuring them. Here’s the first times we see Ada and Soulemain:
Group project video essay, created by leader Alan Tan
Just a quick video on Obra Dinn and its relationship to rules
Group project video essay, created by leader Haoru Wang
I used walkthroughs and Let’s Play footage in this video essay, because I haven’t upgrade my Laptop, and it won’t allow me to use iMovie to edit the video. I had to use iPad for editing, and here’s my reference list: